Change of culture and ideology over time is prevalent and can be clearly sighted but society refuses to accept. The following defines the domain of this statement,
1. The art of erotic sculptures of men and women in ‘kama’ positions on the outer walls of Khajuraho temples are explicitly defined, clearly portraying what was believed. They are awed and preserved as fragments of our cultural heritage.
2. The society and culture now that breathes into existence merely plasters such art into books and public sites, but runs on a different secluded, orthodox ideology/act to execute what is acceptable as doctrine.
The full paper is attached below...
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